JONCLEPE a LORIENT:: I'm looking forward to seeing the photos as soon as possible. regards; Orient caught fire and the blaze eventually reached her power magazine. http://answers.google.com/answers/threadview/id/309412.htmlHOME | Yes—I did a search and could not find the answer to my question.
A local motorcycle shop has contacted me about taking pictures of their custom built bikes for magazine submittals. How do I go about doing this?
1) Do I take the photos and sell them to the shop so that they can submit them into the magazines?
2) Or do I take the photos and submit them directly to the magazine?
3) How much do I charge for something like this?
4) What kind of a contract should be involved with the bike shop?
Sorry for all the questions. Any advice would be greatly appreciated.
I guess I should have clarified—they would be bringing the custom bikes to me at my studio to photograph, so it would only be a couple at a time, estimating a few hours of my time on a Saturday. Later on, as they complete their custom bikes, they would bring those, too. photography company(s) new product development:: Do you have some great photos in a shoebox somewhere, going nowhere but out of date? At this moment an editor at a magazine, book publisher, ad agency, http://answers.google.com/answers/threadview/id/542400.htmlHOME | Getting the yellow out of old aged newsprint?:: I heard once, I believe in some helpful hints & tips magazine, . NEVER put photos and newspaper clippings (or other high-acid items) in the same plastic http://answers.google.com/answers/threadview?id=266136HOME |
I have no problem with giving them a CD; however, I’m worried if I sell them a CD of proofs for a few hundred bucks, that they might use them for promotion/advertising, etc.—like you said.
I suppose I need to contact some of these magazines to find out format and if they pay for photographs. If that is the case, that will change my course of action, because I wouldn’t want them to resell my photographs and make money off of my work.
If anyone else has experience with this, please let me know. I’ll let you know what I find out after contacting some of these magazines. FOR RAINBOW -- Martha Stewart Living Issue number:: The issue is May 1999, Martha Stewart Living magazine. chair article is called "Metal Furniture" by Glenn Peake, with photos by William Abranowicz. http://answers.google.com/answers/threadview/id/349491.htmlHOME | printing your own 8X10 photos:: Also need to know what the fastest scanner that isn't insanely expensive would be to scan magazine photos to print as 8X10. http://answers.google.com/answers/threadview?id=338902HOME |
Thanks!
I think the best way to handle this is to figure a price that is comfortable for you and charge them o a per-bike basis. Also when you do this sign everything over to them (of course charge them for this privelige) but keep the photo credits for yourself. I think this might be the best way all around so you don't have to worry about handling the submission work or anything except for the photography.
Also consider or ask what the magazine will do with the shots. I'm sure, the point is to publish the good submissions that they get. But what if they want to use one of your photos on the cover? That would mean that your photo is attracting business to the magazine. You may want to retain the so that you have some control here. Olympic Accidents:: just go to the time magazine website, type in Sergio Zardini, What the photos show are his helmet which became dislodged during the accident on the Zig http://answers.google.com/answers/threadview/id/556399.htmlHOME | Digital Camera: Digital Zoom vs. Optical zoom. Quality:: I have never seen photos from any digital camera that equals the resolution and clarity of this camera. (Internet Video magazine) http://answers.google.com/answers/threadview?id=300158HOME |
On the other hand, the magazine may get hundreds or thousands of submissions and they may not want to deal with the extra hassle of photos that are owned by a professional photographer...and won't publish them.
Sorry, I don't have any solutions :scratch: Hopeful somebody will.
If it were me, I would
a) charge the client a job-based price - ask how they will be submitting the images (CD or print), and that will help determine cost. If they say CD, you'll have to supply them with hi-res shots on disc, which means they ostensibly could make as many copies as they want. Which you might be okay with - who knows?
b) let them submit the photos
c) pricing depends on what your market is like, how many bikes, how long you'll be there for, the distribution of the magazines they're submitting to... it's near impossible to give an example of cost without these things in place.
d) I'd draft up a contract that issues them a time-based license to distribute to certain magazines (say, a 6-month license), and include language to discourage them from using the shots in their own promotions etc. Make sure that you maintain to the shots.
Hope that helps.
Sorry, I don't have any solutions :scratch: Hopeful somebody will.
:lol: That's ok, Mike. You don't have to solve my problems--but you DID give me great things to think about.
Update---still no word from any magazines.
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